I was reading some art history book I found in the library about the Marxist analysis of art and became rather carried away. Here it goes:
Karl Marx wanted equality between the ruling and working class. He argued that this would come about through communism when the proletariat realized that they controlled production and turned against the owners of the funds for production. The Marxist approach to critiquing art is inspired by his economic philosophies; looking at a piece of art in the context of who created it, who funded its creation and who profited from it. Not understanding the context during which an artwork was created leaves the viewer at a great disadvantage. They see the piece only through aspects of color, composition, and their interpretation of the situation.
Gothic art was an art style originating in Western Europe that had to do mainly with churches and the religious world. The construction of Gothic art structures is filled with class-based injustices, religion often playing a significant role in such repressions. Religion kept the peasants below the ruling class by twistedly claiming that service to the wealthy was their God-given duty, in return they were to be given protection. It is basic knowledge that none of this is the truth, and that the serfs were treated abysmally.
Many of the church’s monks and Abbots were creators of the religious art. Like French Abbot Suger, whose religious architectural advancements included pointed arches, high windows that light could emanate through, and stained glass panels.
What happened in the Middle Ages to the middle class was that in their attempt to free themselves from the landed nobility’s grip, they fell further into the control of the church. They built their own communities and started to govern themselves, but continued to construct cathedrals commissioned by the hierarchy of the church.
Often the working class was hired to create and carve the door jam statues of cathedrals. The west façade of the Chartres Cathedral is of four Hebrew scripture figures and though their bodies are stiff and stylized though their faces start to look more realistic and less like the religious art before that feared any similarities to humanity.
In their creations the carvers followed the dictates of the church leaders who requested the pieces. There was however, introduction of some traits significant to the carvers’ economic status: materialism, humanism, and individualism.